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Art Historian Speaks on the Place of Islamic Artworks in Christian Spain

During a visit to New York to attend the College Art Association conference (CAA) Professor Antonio Urquízar Herrera from the Universidad Nacional de Educacion a Distancia in Madrid stopped by Fordham’s Rose Hill campus to speak to a group of faculty and graduate students. As the group enjoyed lunch courtesy of the History Department Professor Urquízar-Herrera discussed his forthcoming book Admiration and Awe: Morisco Buildings and Identity Negotiations in Early Modern Spanish Historiography, which examines how Spanish Christian historians of the sixteenth century processed the presence of Islamic architecture at the heart of their cities. Particularly in Andalusia, where the last Muslim controlled towns were conquered by Christian powers in 1492, writers who wanted to describe the glory of their cities had to contend with monumental works of Islamic architecture. How, if at all, did they acknowledge the origins of these buildings, so patently different from their own Gothic cathedrals and palaces? Following a lively talk, the visiting art historian was generous enough to discuss his manuscripts, religious appropriation, and ideas concerning race and identity in Early Modern Spain with several graduate students.

 

The department, and especially the students who stuck around for the discussion, would like to thank Professor Herrera for his illuminating presentation. “Admiration and awe” captures the feelings of the Fordham audience quite nicely!

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