On October 9th Dr. Scott Bruce, who recently joined Fordham’s History Department, sat down with Dr. Richard Gyug, Professor Emeritus of History and Medieval Studies, to discuss Dr. Bruce’s forthcoming article in Speculum, titled “The Dark Age of Herodotus: Shards of a Fugitive History in Early Medieval Europe.”
Tag Archives: manuscripts
Students in Fordham’s MA and PhD programs produce original research of the highest quality, and are encouraged to publish this work when and where it is appropriate during their time in the program. The academic year 2016-2017 saw the appearance of articles by a number of our students in different peer-reviewed volumes and journals. We asked our students who published their work to tell us a little bit about the articles and the writing process and we’ll feature these students and their publications in a short blog series.
This week we feature the work of Elizabeth Kuhl. Elizabeth is a medievalist in the final stages of her PhD at Fordham. Publishing is nothing new for Elizabeth: the first fruits of her dissertation were published in the Journal of Medieval History in 2014. She recently published her second article: a contribution to the volume A Companion to the Abbey of Le Bec in the Central Middle Ages (11th-13th Centuries), edited by Benjamin Pohl and Laura Gathagan. We reached out to Elizabeth to ask her a bit about the article and how it relates to the work she’s done for her dissertation.
My article focuses on education at the monastery of Bec in the central Middle Ages. Evidence for how schooling worked in this period is limited, so I used books the monks produced to get at their topics and methods of study. The monks combined excerpts from classical texts on the trivium with patristics and with their own works in many genres. It seems that creating this kind of personal florilegium was a common part of intellectual life at Bec. The books show that the monks were in touch with methods of education at the nascent universities, but that they also had their own emphasis on integrating literary and logical skill into a total way of life centered around study and prayer. While doing archival research for my dissertation, I looked at as many surviving manuscripts from Bec as possible, and noticed that a number of them shared these characteristics; my preliminary conference paper on the manuscripts eventually turned into this chapter.
We received a postcard from PhD student Jeffrey Doolittle updating us on his year as a Fordham University GSAS Research Fellow:
Throughout this past spring, I have been happily ensconced in Italy conducting research for my dissertation. I am currently exploring the medical culture of the Benedictine abbey of Montecassino in the ninth-century through a study of one of its products, Archivio dell’Abbazia, Codex 69, a project that requires an extensive codicological and paleographical analysis of a small corpus of manuscripts written in the Beneventan script. Thanks to a GSAS Research Fellowship, I was able to visit a number of archives in Northern Europe last fall; this spring and summer, I spent most of my time in Cassino researching at the Archivio dell’Abbazia of Montecassino under the patient guidance of the archivist, Don Mariano Dell’Omo. St. Benedict’s famous monastery, of course, is located at the top of a mountain, and the archive is also only open in the morning when buses do not run. So I woke up especially early and hiked up every day, a trip that ordinarily took about 1.5 hours. Fortunately, and in the spirit of Benedictine moderation, I did not have to walk both ways; there was a bus to come back down.
When not at the Archive, I was able to make use of the resources of the “Laboratorio per lo studio del libro antico” at Università degli Studi di Cassino e del Lazio Meridionale and its incredible digital library of medieval manuscripts, and I remain especially thankful for the expertise and kind assistance of the curators of the laboratory, Drs. Lidia Buono, Eugenia Russo and Stella Migliorino. Using Cassino as a base, I have also been able to visit the Biblioteca Medicea Laurenziana (Florence), the Biblioteca Casanatense (Rome), the Biblioteca Apostolica Vaticana (Vatican City) and the Biblioteca Nazionale in Naples.
Since July 1, I have moved on to the United Kingdom where I will deliver a paper at the International Medieval Congress at Leeds. I will also visit a few additional archives in the UK and Ireland including the Hunter Library in Glasgow, before returning home by the end of July.
Thanks for the postcard, Jeff. We look forward to seeing you when you’re back and hearing more about your research and archival discoveries.
Last week was NYCDH Week 2017 — the week each year when the NYC Digital Humanities (DH) community gets together to discuss their projects, run workshops, and bring the NYC DH community together.
One feature of the kick-off meeting on Monday was a series of Lightning Talks: five minute mini-presentations about DH projects in the works. Presentations ranged from personal research to new departmental makerspaces and showed the breadth of DH projects and interests in the greater NYC area!
Fordham History Department Ph.D. student Alisa Beer gave a lightning talk about a DH project she is running at Columbia University as part of her spring 2017 internship with the Rare Books and Manuscripts Library at Columbia.
The workshop, called “Digital Editing and the Medieval Manuscript Roll” will take place on March 24-25 for Columbia University graduate students. Participants will learn the fundamentals of digital editing while tackling the codicological challenges posed by medieval manuscripts. Practical sessions will inform collective editorial decision-making: participants will undertake the work of transcription and commentary, and tag (according to TEI 5 protocols) the text and images of one medieval manuscript roll from the Columbia collection. The workshop will result in a collaborative digital edition of Plimpton Add. Ms. 04, a roll of the Fifteen Oes of Saint Bridget.
Click here for more information on the workshop and its goals, structure, and outcomes.
The History Department was lucky enough to catch up with its very own Prof. Richard Gyug to discuss his newest book, Liturgy and Law in a Dalmatian City: The Bishop’s Book of Kotor (Sankt-Peterburg, BRAN, F. no. 200). Prof. Gyug has recently returned to campus after a semester’s leave. He has been research fellow at the Pontifical Institute of Medieval Studies (PIMS) where he continued work on his long-running funded project the Monumenta Liturgica Beneventana. Our interview with Prof. Gyug will hopefully give hope and insight to many scholars, especially those starting out like the Fordham MA students now beginning their spring projects, as we discussed the process: how does a project move from an idea to a finished product like a book?
History Department: First thing’s first I suppose, how did the project begin?
Dr. Richard Gyug: The present volume is a study and edition of a medieval manuscript. A much shorter version of the study and two of the four parts of the edition were my doctoral dissertation at the University of Toronto (1984). The manuscript on which the edition is based is cited several times before 1800 when it was still in Kotor in Montenegro, where it was written and used in the middle ages. After that it disappeared until being noted again by Ljudmila Kisseleva of the Academy of Science in St. Petersburg (then Leningrad). Because the manuscript is written in Beneventan script, which was used in southern Italy and Dalmatia from 800 to 1300 or so, after Kisseleva’s note Virginia Brown listed the manuscript in her 1980 revised edition of E.A. Lowe’s The Benventan Script (original edition 1914). I was then at the Pontifical Institute of Mediaeval Studies in Toronto, where Brown was, and her colleague, Roger Reynolds, introduced the manuscript to me in a seminar. I continued to work on it, and made it my dissertation.
HD: After finally being introduced to the manuscript, how long was the process and its different stages?
RG: Very long! In preparing that dissertation, I noted which parts of the manuscript had music, but did not study them, an omission typical of liturgical editions then and now. At the defense, Andrew Hughes, a distinguished musicologist, noted this lack and stressed how important the music was for understanding the composition and use of the book. Of course, he was correct, so before continuing work on the present book, I edited a missal from Dubrovnik in which music was a major component. After that book came out, I worked on other similar manuscripts associated with a long-term grant-funded project, the Monumenta Liturgica Beneventana, of which I was a member with the late Virginia Brown and Roger Reynolds. I picked up the present manuscript again in the mid-1990s and have been working on it off and on since over several research leaves.
HD: This manuscript seems like a regular in your research. Where does the book and this research fit in to your broader research questions?
RG: It’s a liturgical manuscript in Beneventan script. Such manuscripts are the principal topic of the Monumenta Liturgica Beneventan project, so it’s been a key part of the team project.
HD: Did your research on this book lead you into any immediate upcoming projects? If so, would you care to share what those are?
RG: I have continued to work on Beneventan manuscripts from Italy and Dalmatia, and thanks to the comparisons needed for the edition, also on liturgical manuscripts in other scripts from the region. So, it has led to several projects:
(1) a partial edition and study of a Beneventan manuscript containing Breviary and Ritual, which is priest’s manual. This manuscript is extraordinary because it was written in the fourteenth century, late for Beneventan, for use in Albania, which was outside the Beneventan zone, and the manuscript contains a Franciscan liturgy, rare in Beneventan, which is usually Benedictine and monastic. This study was begun and almost completed by my late colleague Virginia Brown, and I am finishing it at her request.
(2) a study of the relationships between Benevetan manuscripts with similar contents (i.e., the services proper to a bishop) and several related non-Beneventan manuscripts from Norman-Sicily, Bari in southern Italy, and Dubrovnik and Trogir in Dalmatia.
(3) the cataloguing of liturgical and other fragments at Montecassino
Thanks to Professor Gyug for taking the time to talk with us, and congratulations on this handsome book!
“Passover and Easter: A Polemical Encounter” is an exhibit currently open at Walsh Library in the O’Hare Special Collection room, mounted by Dr. Magda Teter Shvidler Chair in Judaic Studies and Professor of History. This exhibit explores the history of Easter and Passover through manuscripts, books, and ephemera, with a particular emphasis on the biblical texts related to the holidays and several Haggadot, the sacred text read during the Passover Seder. Among the items on display are engravings from two editions of the famous 15th century world chronicle that portray the bleeding of a child, with images of Jews as grotesque characters, the Easter issue of an Italian magazine, La difesa della razza (The Defense of Race), from 1940 that once again return to the theme of blood libel; German currency from 1922 that celebrates burning Jews, and an 1884 parody of the Haggadah by German artist Carl Maria Seyppel. Tom Stoelker wrote an in depth article about the exhibit which can be read by following this link to the Center of Medieval Studies Venerable Blog.
A Dramatic Reading of Burning Words: A History Play by Peter Wortsman
Dr. Magda Teter will be involved in Burning Words: A History Play, offering scholarly commentary during the multimedia reading. The play is about about zealotry, censorship, and religious tolerance, and recounts the moment in history when “Johannes Reuchlin, a humanist Christian jurist, clashed with Johannes Pfefferkorn, a Jewish butcher converted to Christianity and a willing tool of the Dominican Order in their quest to burn Jewish books. ” Dr. Teter recently gave a lecture entitled “From Friendship to Hatred: The Catholic Church and the Jews” at the University of New Mexico as part of the AJS Distinguished Lecture Series.
The play will take place on April 3, 2016 at 2:30 pm at The Center for Jewish History (15 West 16th Street New York, New York 10011)
Ticket Info: $15 general; $10 Leo Baeck Institute / Center for Jewish History members
We encourage members of the Fordham community to attend and support Dr. Teter during this exciting innovative performance. More information about The Center for Jewish History and the play can be found on the center’s website.
Summer is also an exciting season for History graduate students. Work on research projects, travel to archives, presenting their papers at conferences: these are just some of the activities that were undertaken by Fordham’s industrious graduate students this past summer. Included below are some postcards detailing their activities. Continue reading